Vivaldi armida
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By juxtaposing Jommelli’s score and Gaetano Roccaforte’s libretto with a set of six paintings by the contemporary artist Antonio Joli (c1700–1777), it aims to show how Cajo Mario shares compositional strategies with a connoisseur’s genre in the fine arts: the capriccio. This essay seeks to clarify the reasons for that remarkable success. Thus configured, Jommelli’s opera held the stage until 1772, enjoying fifteen revivals with most of the original music intact – a record in the composer’s oeuvre. Instead, the opera transposes the myth of Iphigenia in Aulis to the Roman Republic, having Marius, his daughter, her lover and her villainous suitor assume the roles of Agamemnon, Iphigenia, Achilles and Ajax respectively. He died there a month later.In contrast to what its title suggests, Niccolo` Jommelli’s Cajo Mario (Rome, 1746) has little to do with the consul Caius Marius (157–86 BC). His last operas, in the late 1730s, being unsuccessful, Vivaldi went to Vienna in 1741, possibly to supervise the performance of one of his works. Vivaldi’s first known opera, Ottone in villa, was performed in Vicenza in 1713 a string of successes in his native Venice, Rome, Mantua (in Hapsburg employ), Florence, and Milan followed.
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By his reckoning, he composed 94 operas, but musicologists have only identified 49 of these, a mere 22 survive, most found in the Library of Turin. He was, though, more than just an instrumental composer he was a priest (his severe asthma forced him to leave the priesthood) violin teacher pizza inspiration and one of the most prolific opera composers of his day. Vivaldi is best known for the Four Seasons.
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